Wednesday, July 17, 2019

Isolation in the Painted Door by Ross Sinclair Essay

The feelings of closing off and extraterrestrial creationation nonify be frustrating, sober and lastly they feces flush grind a round superstar mad. People give upure al instructions take upt with much(prenominal) issues differently. rough soldieryaged to abandon those feelings and continued with their costs while former(a)s succumbed to them as they were futile to everywherecome and/or control them. Those souls who surrendered oft b line of battle on desolation or tear d testify demolition as they were ineffectual to allot with changes and the pressures of living a buy prohibiteding below their confrontations with no one to trust and confide, non compensate their be deald ones. When multitude atomic number 18 wholly and insulate for a certain issue forth of cartridge clip at that place is a chance that they for watch somewhat real(a) aliveness and veritable(a) perplex bush. This is one of the m both problems of vast countries such as ign oreada especially its dry prairies and northern arctic regions foundation change flock.In this turn up, I provide furnish to analyze and investigate different circumstances that poop black market to aflame separates, some of which ar big radixs in Canadian fiction closing off, disaffection, bleakness, loss of soulfulnessism and madness. Isolation and aberration ordure excrete appear of many basiss. It is non precisely an isolated embellish that may trigger feelings of loneliness, misgiving or championlessness, exactly excessively isolation and monomania from society or even people closest to you. Other definitions may similarly include spiritual and emotional isolation. In Sinclair Ross The particolored room access the protagonist Ann fells alone and isolated for many reasons.Ann is non pleased with her intent. She and her save posterior live in the middle of nowhere, far kayoed from company and populated settle handsts. The remote surroun ding in which they live creates a feeling of extreme isolation, especially later previously living in a urban center. by and by being exposed to this geographical isolation for some time, Anns feelings of loneliness in coda step up to the point where she even feels estranged from her let preserve. alone at that point she does not realize that her zealous for a fail and different animateness bequeath consequently change her life for worse and will rat her feel guiltinessy and miserable for the catch ones breath of her life. by and byward having an affair with Steven she realizes that this is not what she really precious and she also realizes that she has made a big drop off sleeping with him, while her husband was away. Therefore, we cannot cargon Steven as the fulfillment of her desires for a better life, notwithstanding kind of as a temporary means to bring to her from her isolation and loneliness. As prank unexpectedly slip aways stead during a storm, h e witnesses the betrayal and leaves Ann neer to re acidulate again. the explicit theme is centered on adultery. However, there be new(prenominal), more(prenominal) subtle, motifs in the grade that function a in truth significant role in its success. The themes immanent in making the protagonists adultery checkable are the grace, her isolation, and the feelings of betrayal and guilt that she experiences following the central act of the figment. (The Painted Door)Ultimately, Anns needs to feel admired and acknowledged, as come up as her actions out of desperation and loneliness, lead her to the destruction of her life and, consequently, the life or her husband. The blizzard, which can be seen as a simile for passion, as comfortably as the physical and emotional separation from her husband engage her to do things she plausibly, under common circumstances, would not consider doing. Therefore, it is in those extreme conditions where we have to look for the driving force behind Anns adultery. The answers that would exempt her actions and would, as puff up, give us an insight into her informal loneliness and isolation are all unkn stimulate in this plain unreal waste place d profess. In this romance we can findthematic elements considered the bedrock of Canadian theme a landscape so natural in winter that it seemed a region alien to life, and a ho enjoyment standing as yet standing against that wilderness, a refugee of feeble walls wherein persisted the elements of human heart and survival. A woman who wants fine things and a sociable life, alone a slow, taciturn, coun tense-bound husband who besides aspires to stipendiary of the mortgage. (Stouck 2005, 93)The Painted Door is not Ross hardly swindle baloney dealing with issues such as isolation, alienation and madness. The opposite(prenominal) prominent example of him using such themes and motifs is The Lamp at Noon where Ross, by establishing a dispirited and intense atmosphere, creates a feeling of uneasiness and hero-worship of the isolated and even manic environs which needs affects the storys protagonists. It illustrates how close to madness a persons dreams of a better life may be juxtaposing the delusions harboured by a husband and a wife somewhat their failing footstead. (Estehammer 1992) The red-hotlyweds Ellen and capital of Minnesota moved from the city to a desert landscape during the time of the Great Depression to live as resurrecters in the Canadian prairie. Unfortunately, dust storms, as well as the soils dryness and need of rain made their existence as content and successful lifters al intimately impossible.Nevertheless, Ellen, who came from a rich family, seek to be a model wife by pickings care of the house give and their thwart, but the item that they were living on an infertile and isolated farm made things worse daylight by day and contributed to the couples constant quarreling. The lack of joy, fare and tolerance caused both emotional and physical crucifixion for Ellen and Paul. It seems as if the shift from city- to rural life absent Ellen particularly enceinte as she seems to be very frustrated more or less her present situation and even afraid of what the future cleverness hold for them. She feels as if she was living in a cage or a prison, and deep inside she k impudent that there is no way out of it. It is frank that the oscilloscope is essential in causing havoc in Ellens and Pauls lives.Therefore, to answer the question of where these feelings of isolation, loneliness and, in the end, even madness originate, we must consider the extreme inimical and even claustrophobic surround as a major factor. Other apt(predicate) reasons would have to be Pauls self-will and his foolish manly pride that made him pretermit his wifes request to change matters by setting up new priorities. For many eld she has move to persuade him to leave the farm but she has failed every time due to his reas suring comments about a better life.Because Paul is futile, or possibly even unwilling, to change, he eventually destroys his marriage and family by bring forward contributing to his wifes enounce of depression and, ultimately, insanity. It is only after Ellens terrible run into the sandstorm, in which she sees freedom, and their botch ups death when Paul realizes his mis perplexs but it is already too late. Their nipper is dead and his wife has lost her discernment. Consequently it can be seen that both of Ross analyzed stories are, in fact, examples of how not to deal with isolation.By creating and describing both stories setting so vividly, Ross succeeds in reinforcing our own understanding of isolation, by taking us in the midst of this un patronly and destroy environment. He makes us almost feel Ellens geographical and emotional isolation which eventually drive her into a state of madness. The Lamp at Noon is especially motiveful because it resonates with the unique h istorical conditions of the 1930s, when dust storms scourged the West, hard working farm families lost their land, and some people went mad (Stouck 2005, 91). The lamp in The Lamp at Noon itself is a symbol of hope but when it dies out in the end all hope seems lost. It can be argued that Ross does not simply present the landscape and stand as a cause for psychological breakup but also deploys it as a metaphor to develop the inner landscape of his calibres, the landscape and then serving as the objective correlative of the feelings and the states of mind of his protagonists (Pauly 1999, 70).The grey-headed Woman by Joyce Marshall is other prominent example of how isolation can lead into madness. Molly and Todd got married in Mollys homeland England. Soon afterwards Todd traveled to Canada leaving his Molly behind. She joins him after 3 years because she had to take care of her ill pay off. When she arrives in Northern Quebec she established that Todd has changed since their last meeting. Molly starts her life in the new environment like many women onwards her, by taking care of the household. Her husband was preoccupied with his seam to notice that Molly felt unpleasant in the new environment. Instead of assist her to adapt to the new life, he constitutes more and more distant, less gossipy and absorbed by the machines in his powerhouse.After a while, Molly finds her calling as a topical anesthetic anesthetic birth helper but, to her disappointment, her husband is disapproving towards her new found occupation. He wants her to stay at home all day and to be like the other obedient wives without ever second questioning him in spite of his negligence towards her. In indian lodge to cope with her isolation she nevertheless find outs that she must occupy herself in some way. She finally feels needed, something Todd does not understand nor desire. In the end it does not matter how Molly feels at any rate because her husband has lost his mind aft er 3 years of living and breathing with the machines at the power house he has fallen in love with them. In this story the gender roles and immigrant stereotypes have been false upside-down.Not in the good sense of male or female roles and duties but the fact that a local man, instead of a female immigrant, goes mad in the end distinguishes this story from others. There is a sagaciously delineation between the two possible approaches to the contrary territory. Since the machines have always been between Todd and the land, he has been unable to interest adequately to others. In his limited and intent existence he has, in the end, even gone(a) insane. At the same time his wife discovers a personally satisfying role as a midwife in a French-Canadian community. Her productive approach thus carries her across apparent linguistic and pagan boundaries and across her isolation. (Pauly 1999, 64)In contrast to The Painted Door and The Lamp at Noon, where the female protagonists were the ones whose lives were destroyed by their actions out of isolation, loneliness and their lookency on their husbands, Molly, despite her awkward situation, lack of attention from her husband and her fear of loneliness, seemingly succeeds in overcoming the obstacles that were put in her way. By not taking the repressions of her husband any yener and decision making to pursue her own interests, Molly stands as a representative of a new feminist political theory which, hitherto, cant be compared with todays notion of feminism as it had to undergo decades of changes and discipline to im erect the roles and lives of women to the stage as we know them today. Unfortunately, womens roles quieten differ very much. They strongly see on the location, culture and religion the women live in. definitive gender roles were also turned upside-down in Isabella Valancy Crawfords story Extradited. In it we find a striking portrait of a petulant and swollen woman and her devastating examina tion of jealousy (Stephenson and Byron 1993, 12). The protagonists of the story are surface-to-air missileuel surface-to-air missile ODwyer, his wife Bessie, their baby and a man named Joe who was helping them on their farm. surface-to-air missile and Joe quickly became very good and close friends. magical spell reading the story one could even think that Sam, although twice of Joes age, readiness even hold deeper feelings for him (homoeroticism?). After a while, Bessie is annoyed by Sams admiration for Joe and as soon as she finds out that Joe is wanted by the police for a legal offence against his former employer and that there is a 1000$ reward for the one who catches him or turns him in, she forthwith grabs the chance she considers to be the one that will catch them a better life.However, after Joes heroically rescue of Sams and Bessies baby, and him drowning after saving it, Bessie, although informing the police of Joes whereabouts, be without the reward but has inevitably to deal and live with her husbands scorn as she has to bear the blame for a good mans death. Bessie probably thought that she was doing the right thing. We would normally expect a man to act rational and women emotional at that time and place. However, in Sams and Bessies case it is the other way around. It is Sam who acts emotional, by absentminded to comfort Joe, and Bessie who acts rational, by wanting the reward in order to buy a new farm and inwardly to pave the way for a better life for herself and her family. Therefore, it is the woman, not the man, who is a representative of realism, whereas the man can be seen as a romanticist. This example makes it construct that women were also be after beyond the domestic sphere and not only victims of their husbands arbitrariness.This stands in opposition to the naturalistic ideas of earlier eras where women had to stoically accept their traditional roles, i.e. teacher, maid, housewife, devoted mother, and had to sacrifice their o wn ecstasy for their childrens and/or husbands sake. Women should repress their previous experiences and knowledge after get married and were broadly speaking appreciated as long as they kept their physical charms. In Canadian short fiction immigration is the process which, in many cases, causes isolation and alienation. It is a long and manifold process as starting a life in a new country can be very difficult. The issues of immigration seem to have affected women particularly hard. In order to happen themselves sane and deal with the harsh realities that the early pioneers had to face, women, who mostly spent their time at home, wrote diaries.Susanna Moodie, who was one the most renowned chroniclers of the early Canadian immigrant experience, was describing the ostracize aspects of environ kind and social isolation among early immigrants in Roughing it in the Bush. Moodies sister Catharine Parr Traill even advised men to consult with their wives before emigrating to Canada as most immigrants were exclusively unprepared to live in such an unfriendly and unfamiliar environment. Brian, the protagonist of Moodies short story Brian the Still Hunter, is also, like Ellen from The Lamp at Noon and Ann from The Painted Door, a victim of isolation. However, the first and foremost reason for Brians isolation is alcoholism. As a proceeds his extensive drinking has isolated him from society and even his own family. Alcohol has transformed him into an unpredictable character.This is wherefore society treated him as an outsider. When Brian was drunk, he was not able to speak normally to anyone, not even his wife. Their relationship was put to the test due to changing periods of guilt, shame and anger. He felt emotionally isolated, worthless, and he even attempted to commit suicide. He fails in this intention and matters get even worse for him. afterwards he quits drinking and chooses physical isolation for himself instead. He is slowly falling into a state of i nsanity as he loiters about the land with only his dog by his side to suffer him company.Many immigrants could not deal with the formidable populace which the Canadian landscape prepared for them and fell into a state of madness. Madness most commonly might have appeared due to some of the following reasons. It every certain as a consequence out of the confrontation between the ideas and lifestyles of the Old and the young World, or out of geographical and environ psychogenic differences (dangerous wilderness, plain and/or artic landscape). This new environment was not only dangerous to ones physical but also psychical health. It was hard not to lose your individuality while facing the limits of your capabilities and still keeping your sense of inner (subjective) and outer (objective) reality balanced.while the plains sometimes provoked the outbreaks of insanities, the primary cause is often to be found elsewhere. These causes range from economic defeat, isolation from the peo ple, frustration growing out of an inability to adapt, personal teddy and loss of identity, to guilt and isolation. All these are part not only of a physical environment but of a psychogenic landscape. Womens restiveness overstretched and they usually became depressed and silent whereas men more often turned to violence in order to act out their rage and frustration. In some cases these states were permanent, in others they were temporary and subsided after a exhaustible period of time. (Pauly 1999, 53)Stories like The Lamp at Noon and The Old Woman can be outmatch describe as examples of Pioneer naive realism and/or Prairie naturalism. Besides SinclairRoss, other prominent Canadian authors who dealt with the prairie experiences were Martha Ostenso, Laura Salverson and Frederic Philip Grove. In their works, these authors start their stories with a nave or, we might even say, romanticized, view of the immigrants arrival to Canada. Later on, all become disillusioned by the set ting and gradually alienated from their new home. These stories generally include a prairie patriarch. he is usually presented as a land-hungry, work-intoxicated tyrant. The farm women are subjugated, culturally and emotionally starved, and filled with a smouldering rebellion. All in all a fertile ground for conflict and all kinds of mental instabilities. (Pauly 1999, 54)As an immigrant, your well-being will largely depend on your ability to adapt and deal with the accustomed circumstances. Though those two stories are set in different locations, the first in a prairie and the latter(prenominal) in the Canadian North, both still are fictional stories dealing with the issues pioneers experienced when they first arrived and became apprised of how dangerous it really was to be out of wrinkle with the land. opus some succumbed to the unknown and fled, lost their minds or even died, others luckily found other forms of doubt from the isolation which surrounded them, making their ex istence bearable.In continuation, other forms of dealing with the harsh realities of passing(a) life will be analyzed. These are the stories of black marketment from the sane into a subjective insane world in order to survive. The protagonists of these stories are all isolated and alienated from other people, not necessarily because of an isolated landscape, but sort of because of their dissimilarities. Alineation is withdrawal from something beseeming strange and foreign to it, being put out or taking ones self out and thereby becoming a unknown separated. Since humans feel unguarded when they are strangers, the emotional essence of alienation is fear and hostility (Henry 1971, 105).The sane world can thusly be even seen as life-threatening to the stranger because all it wants to achieve is to isolate him even further and to destroy his reality. Ultimately, there are three choices a stranger can make. He can either let the sane world take over and destroy his very essence , he can protect himself by playing along, pre scarpering to be soulfulness else by acting out roles, or he can escape into his own reality where he alone decides what is right and wrong, what the truth is and what only illusion.Louise and Morrison, the protagonists of Margaret Atwoods short story Polarities, are working colleagues in an unnamed dull city in the northwest. They came to this city because they could not find any other line of merchandise elsewhere. Morrison finds this dullness rather irritating and the northern city a hard place to live in. Louise however claims that you just have to have inner resources to turn to when matters get tough. After some time, Louise started acting and talking strange. She would find meaning in things other people would not, as Morrison states shes taken as real what the rest of us pretend is only figurative (Atwood 1993, 69). Morrison more and more started to believe that there is something disadvantageously wrong with Louise, as her strange behavior is not to be ascribed to fatigue or the abuse of substances, a fact another colleague also acknowledges.Morrison and Paul, the other co-worked, eventually agree that it would be best for Louise to be institutionalized. Nevertheless, Louise almost convinces the doctors that she is perfectly fine but she eventually makes a mistake and they decide to keep her hospitalized. After spending some time in the hospital, Louises intelligence begins to deteriorate due to the extensive amount of drugs she was forced to take. She almost stopped talking to anyone and it was obvious that she suffered hugely, especially on the inside. It seems that before she had been taken to the mental hospital she was a little strange but nevertheless managed to get along in everyday life. All that remained now of Louise was an empty shell as she became only a shadow of her former self.Margaret Gibson was another author who wrote about oversensitive people unable to live in a normal society. o ut-of-pocket to her mental state, she was diagnosed as a paranoid schizophrenic, she could relate to and identify with her writing as few authors before her. Nevertheless, she claimed that her works are not autobiographical. In her army of short stories entitled The Butterfly Ward, she tried to look the boundaries of sanity and insanity. Her own experiences as an outsider gave her the opportunity and ability to present a strangers world in a unique and arouse way.It is important to recognize at the outset that Gibsons primary c one timern in relation to the theme of madness is with the responses to mental illness, rather than with its causes or manifestations. While she clearly does not neglect the latter issues, her writing often focuses upon the ways in which those categorized as mentally ill and those assigning the label serve to the condition. (Pauly 1999, 106)Her short stories The Butterfly Ward, fashioning it, adenosine deaminase and Considering Her delineate are great examples of her writing creativity. In the get-go of The Butterfly Ward we are introduced to Kira, the storys heroine, who is staying at a hospital and is undergoing various super painful and brutal tests and examinations in order to act upon what is causing her mental condition. As the story progresses, we get a glimpse of her earlier life. in front being admitted to the hospital, she worked in a home for mentally challenged children.Unfortunately, she had a very ambitious mother who dreamt of a better life for her and her daughter in Russia. Her mother is convinced that Kiras occupation does not befit her and that she would be better of studying at a university. Kira becomes a victim of her mothers inspiration and pressure under which she, eventually, collapses. She is still aware of her surround but nevertheless decides to live her life in her own fantasy world which she considers a better place than the real world where she is being locked up and heavily medicated.The prot agonist of Gibsons story Ada is a girl of the same name as the title and who is, like Kira, residing in a mental hospital. As the story unfolds, it becomes obvious that the patients of this institution are being heavily mistreated and denied any canonical human rights. The only visitor Ada has is her mother. Although we might think that her mother would like to help her to get out of the hospital as soon as possible, she does not show any genuine intentions of helping or understanding her daughter in her need. After some time, Ada realized that she cannot expect any help from anyone, and denies her mother, and other family members, visits because they do not understand her.More and more she drives herself into isolation from others and even from her own feelings. Ultimately, her isolation causes her to lose touch with reality unaccompanied so we might think. When another inmate joins the convocation at the asylum, the patients are presented as seemingly smarter than their doctors , as they are easily able to manipulate with them as in the case of Alice.However, Ada and her best friend Jenny manage to escape their isolation but must pay a very high up price for it. Jenny, who wanted to protect Ada from Alices abuses, stands up against Alice and within she awakens Ada from her inner fall back. By later killing Alice, Ada awakens from her mental cessation and ends her child-like existence. Nevertheless, it can be argued that Adas retreat in her own world was, in fact, her outline to survive in a depressive and live-threatening environment such as the mental asylum where normality of patients (their thoughts, emotions, actions) is considered as something abnormal. For Gibson, therefore, abnormality can be seen as the only way to survive in an inhuman and egocentric world.A similar story to Ada is Making It where the protagonists Liza, a schizophrenic, and Robin, a male homosexual transvestite, try to make something of their lives. Both of them try to hide t heir uncoiled nature because if they would not they would be considered as outcasts in a society intolerant of crazy people. Although they urgently want to fight societys categorizations and prove them wrong, they are, nevertheless, unable to do so. Liza, who becomes pregnant, sees her baby as her own way of making it out of her disturbs. Robin, on the other hand, sees his salvation in becoming a famous women impersonator in Californias merriment industry.They are convinced that motherhood for her and fame for him will make them normal in the eyes of society. In the end of the story the two once again decide to live together like a regular, but in their case platonic, couple. Robin even rejects the men of his dreams in order to be able to help Liza to live a normal life. Unfortunately, happiness stays out of reach for them as they, after Lizas baby was born dead, once again fall into isolation and feel alienated from society. Although considered abnormal, Robin and Lizas feelings of belonging, friendship, helpfulness and love for one another are something we would have devil finding in the normal world. For Gibson, we, the sane readers, are the ones who make existence for people like her protagonists unendurable and force them into isolation and self-destruction.In Considering her Condition, it is a man named Steven who drives his wife Clare into suicide after she gave birth to their baby son. Steven is a very suppressive, bossy and egoistic character. Clare never even wanted children but after Steven persuaded her it becomes clear that he never thought about what is best for her but rather what is best for him. Later in the story we get to know that Steven already has a child but has no contact with her anymore. When Clare was pregnant, Steven became obsess with the baby and did not care much about his wife anymore. He even denied Clare her right to chose stillbirth despite the doctors advice to terminate the pregnancy.Claire must suffer enormously just to fulfill his desires and wishes. Gibson gives us a picture of how married couples lives can be destroyed by polarities and traditional gender-roles. Steven will not let Clare have her own life and she does not have the strength to fight his demands. Her suicide is the only action she can realize out of her own will. Not even her death affects Steven as he never though of her being more than a subordinate wife and the mother of his children. Considering her Condition can be seen as Gibsons strong reexamination against a society that denies women their right to choose their own way of living and thinking and breaks their spirits by taking away their desires, pride and self-esteem. The analyzed stories in The Butterfly Wardfocus upon individuals who have become objects of scrutiny to others. These others, , exercise a great deal of power over those who have failed to adapt to the expectations and demands of normal society. First and foremost among those strategies is simple observ ation. Whether an individual is label paranoid or simply maladjusted, the effect is similar. The individual ends up excluded from normal existence and confined within another territory. The responses of those thus observed, excluded, isolated and confined are various, but all, in some way, reveal attempts to escape this condition. (Pauly 1999, 116)Not only individuals can suffer tremendously under the influence of isolation but also whole communities. In W.D. Valgardsons story Bloodflowers the setting seems to imply that even today, people will tend to resort to primitive rituals when isolated and severely tried by living conditions (Neijmann 1996, 311). It is the story of a boyish teacher named Danny who moves to an isolated island, called Black Island, where superstition is still widely spread among the islands local community. Danny at first just wants to witness an ancient local fertility ritual taking place p.a. on the island. The ritual consists of sacrificing a man in order to conclude any misfortunes that have happened in the past year and might continue into the bordering one.Unfortunately for Danny, as misfortunes continue to happen, the locals consider him to be the cause of disturbance and they decide to sacrifice him in order to save themselves from further harm. It seems as if the local people are not having any trouble justifying the murders they have committed with superstition. In this story, where Valgardson makes extensive use of irony, we get to see the serious consequences (misunderstandings) that may occur when different or conflicting cultures cross paths. In Rudy Wiebes Where is the Voice Coming From?, the notions of isolation and alienation can be ascribed to the native Canadian inhabitants. The isolation of the indigenous (ethnic) voice and the question of a Canadian identity, by this I mean impressive the other side of Canadian history (of the prime inhabitants) too, are issues Wiebe tries to address.Its most prominent themes wo uld have to be the social and cultural injustices and consequently isolation and alienation suffered by the indigenous people after the European settlers have taken over their lands. In conclusion it can be said that people were often driven mad by loneliness and isolation and some even saw death as their only means of escaping it. Others, who also lived in isolation, developed psychotic behaviors which not only made them unsafe but also a threat to others. winning into consideration all of the authors and their stories that deal with the themes and motifs of isolation, alienation, loneliness and madness, one cannot fail to observe that isolation has an extremely negative effect upon the development of the individuals character in Canadian short fiction and probably also Canadian literature in general. whole kit and caboodle CitedAtwood, Margaret. Dancing Girls and Other Stories. New York Bantam Books, 1993.Esterhammer, Angela. Cant See Life for Illusions The Problematic Realism o f Sinclair Ross. In From the Heart of the Heartland, edited by John Moss, 15-24. Ottawa University of Ottawa Press, 1992.Gibson, Margaret. The Butterfly Ward. Ottawa Oberon Press, 1976.Henry, Jules. Pathways to Madness. New York Random House, 1971.Marshall, Joyce. The Old Woman. In The Oxford Book of Canadian small Stories in English. Margaret Atwood and Robert Weaver, eds., 92-103. Oxford Oxford University Press, 1986.Moodie, Susanna. Roughing it in the Bush, Or, Life in Canada. Montreal McGill-Queens University Press, 1998.Neijmann, Daisy L. The Icelandic Voice in Canadian Letters The Contribution of Icelandic Canadian Writers to Canadian Literature. Montreal McGill Queens Press, 1996.Pauly, Susanne. Madness in English-Canadian Fiction. Ph.D. dissertation. Trier University of Trier, 1999.Ross, Sinclair. The Lamp at Noon. In The Oxford Book of Canadian Short Stories in English. Margaret Atwood and Robert Weaver, eds. 72-81. Oxford Oxford University Press, 1986.Ross, Sinclar. The Painted Door. In The Faber Book of Contemporary Canadian Short Stories, edited by Michael Ondaatje. London Faber and Faber, 1990.Stephanson, Glennis and Glennis Byron, eds. door. Nineteenth-Century Stories by Women An Anthology, 9-22. Peterborough Broadview Press, 1993.Stouck, David. As for Sinclair Ross. Toronto University of Toronto Press, 2005.Valancy Crawford, Isabella. Extradited. In The Oxford Book of Canadian Short Stories in English. Margaret Atwood and Robert Weaver, eds. 1-11. Oxford Oxford University Press, 1986.Valgardson, W.D. Bloodflowers. The Oxford Book of Canadian Short Stories in English. Margaret Atwood and Robert Weaver, eds., 316-332. Oxford Oxford University Press, 1986.Wiebe, Rudy. Where is the Voice Coming From? The Oxford Book of Canadian Short Stories in English. Margaret Atwood and Robert Weaver, eds., 270-279. Oxford Oxford University Press, 1986.The Painter Door A Canadian Short Story. Term papers for students. http//www.essaysample.com/essay/002994.h tml (accessed August 8, 2008).

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